A four-plus-one apartment on Leonie Hill run as one long gallery — mirror-polished floors, black fluting and walnut, held apart by light.

The plan is deliberately open: the entrance corridor, the lounge, the bar and the dining room read as a single sweep, divided only by material. Full-height walnut panels and black vertical fluting mark where one zone ends and the next begins, and a run of steps raises the formal living area just enough to make it feel separate without a wall. Furniture is treated as sculpture — a pebble-form sofa in moss and cream, a rust-coloured curved settee on a sand rug, bar stools at a mirrored counter — while the ceiling carries slim recessed lines rather than fittings. The dining room curves, wrapped in floor-to-ceiling drapery with a crystal chandelier at its centre, and the master bedroom repeats the restraint: gloss black wardrobes, a soft carpet, and brass pendants dropped either side of the bed.